LA REPRESENTATION DE L'OEUVRE. PARADIGME ARTISTIQUE DE L'ENSEIGNEMENT DE LA DANSE. ANALYSE COMPAREE DE QUATRE CHOREGRAPHIES DU « SACRE DU PRINTEMPS » D'IGOR STRAVINSKY : NASLAV NIJINSKY (1913) MAURICE BEJART (1959) PINA BAUSCH (1975) MARTHA GRAHAM (1984).
Identifiant BU : 03NICE2007 - 665 pages - Available at microfiche format - For further information
The workshop will be closed from July 15 to August 25, 2024 inclusive.
Orders placed after July 10, 2024 will be processed at the start of the school year.
Happy summer vacation.
The ANRT teamm
Visit our workshop and discover various skills combined to provide quality services