LA REPRESENTATION DE L'OEUVRE. PARADIGME ARTISTIQUE DE L'ENSEIGNEMENT DE LA DANSE. ANALYSE COMPAREE DE QUATRE CHOREGRAPHIES DU « SACRE DU PRINTEMPS » D'IGOR STRAVINSKY : NASLAV NIJINSKY (1913) MAURICE BEJART (1959) PINA BAUSCH (1975) MARTHA GRAHAM (1984).
Identifiant BU : 03NICE2007 - 665 pages - Available at microfiche format - For further information
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