PAROLES, CINEMAS ET MODERNITES. UNE APPROCHE SOCIO-POLITIQUE ET SEMIO-NARRATOLOGIQUE DE LA MODERNITE AU CINEMA: LE CINEMA DURRASSIEN DU VIDE ET LE CINEMA AFRICAIN FRANCOPHONE.
L'IMAGERIE PHOTOGRAPHIQUE FLOUE ET LA REPRESENTATION MNEMONIQUE (AUTOUR DES OEUVRES PHOTOGRAPHIQUES CHEZ CHRISTIAN BOLTANSKI, GERHARD RICHTER ET ANDY WARHOL).
Identifiant BU : 00PA010551 - 757 pages - Available at microfiche format - For further information
The workshop will be closed from July 15 to August 25, 2024 inclusive.
Orders placed after July 10, 2024 will be processed at the start of the school year.
Happy summer vacation.
The ANRT teamm
Visit our workshop and discover various skills combined to provide quality services